Ergonomic Alien Shred |
That’s what a lot of players think of synth guitar. The fact is it can really be anything you want it to be. You can use real sound synthesis to give your playing a new vocabulary without ever sounding like a penny whistle if you don’t want to. Synthesizer players have been creating tones from the ground up for years on their keyboards. Why should you miss out?
Today I’ll talk about what I consider to be the three main categories of things that people mean when they say “Synth Guitar”:
Electro-Harmonix Hog Guitar Synth |
Serious Sound Design |
Wait, what? |
Guitarish Looking Controllers: These things definitely get the hardest beating from players. First of all, they are not really guitars at all. The “fretboards” are typically made of sensors, often buttons, that for the most part follow the typical guitar layout. The “plucking” area can be everything from mock string sensors to a touchscreen interface. There are usually an array of controls on the “body” of these things. Drum pads, fake trems and levers. Maybe the hardest to love but I’d like to mess around with one.
This dude is sooo getting laid post show. |
Nice overview of approaches to Guitar Synthesis. Breaking it into these three catagories really helps one understand why analogue players are generally biased against subject of synths.
ReplyDeleteThanks Tracy. I feel like most guitarists are resistant to change and experimentation. Many have heard less-than-cool examples of these tools and automatically write them off. I eventually hope to control an analog poly-synth. Nobody is gonna tell me that that's not cool.
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